Author: Greg Lloyd

AMTC is please to open up auditions for everyone interested in being a part of our July 2025 production of Cinderella.   Auditions will take place in February 2025.  To be a part of the show, whether on stage, backstage, as part of the orchestra, or in another role, please complete the Expression of Interest form – see the link below …

Show Dates: 4 – 13 July, at the Shoalhaven Entertainment Centre.  

Information Night Presentation (as a PDF) – click here.  Please download and read, as it will answer most of your questions.

Expression of Interest Form – click here.  Specific audition information covering our process is included in the EOI form.  To secure preferred audition times, I would suggest completing the form ASAP.

Vocal ranges and role descriptions listed below

For further information, email – cinderella@amtc.org.au

Come and join the MAGIC!

Marie and Dennis

Producers – Cinderella

Character Descriptions and Vocal Ranges

• ELLA (Cinderella) (Female, Soprano, Any Ethnicity) Kind hearted beauty with an infectious generosity of spirit. Though she has been flying under the radar she comes fully into herself as an articulate dynamic woman with a great deal to say Traditional musical theatre soprano. Vocal range Soprano B3-Eb5.
• TOPHER (Male, Baritone, Any Ethnicity) The prince of the kingdom leads with heroic bravado but deeply naïve and not always quick on the draw. In search of his purpose. His kindhearted nature spills into an endearing goofiness at times. Light comedic touch essential. Soaring, rich musical theatre baritone to G. Vocal range Baritone C#3-A4.
• MADAME (Female, Mezzo-Soprano, Any Ethnicity) Ella’s selfish stepmother. A vain and tyrannical climber. Deeply concerned with status and image and entirely dismissive of her stepdaughter. Comic timing essential. Traditional musical theatre character voice. Vocal range Mezzo C4-D5.
• Marie enters the story as a senile poor woman but she magically transforms into her true form as Ella’s wise and compassionate Fairy Godmother. Soprano.
• GABRIELLE (Female, Mezzo-Soprano, Any Ethnicity) Ella’s stepsister and daughter of Madame. Begins aligned with her materialistic mother and sister but her kindness and thoughtful nature emerge as she is affected by Ella and love interest John-Michel. Perhaps a bit quirky and cut from a different mold than the social climbers around her. Comic timing is essential. Strong and expressive traditional musical theatre voice. Vocal range Mezzo C4-G5.
• CHARLOTTE (Female, Mezzo-Soprano, Any Ethnicity) Ella’s stepsister and daughter of Madame. Deeply self-involved, attention seeker. Loud, brash and delights in being cocky. Lacks self-awareness and often the last one in on the joke. Excellent comic timing required. Traditional musical theatre character belt to F. Vocal range Mezzo (belt) B3-F5.
• JEAN MICHEL (Male,  Any Ethnicity) An enthusiastic revolutionary determined to make a difference. Energized and on his way to becoming a leader. Great comic timing. Traditional musical theatre voice. Vocal range Baritone C3-G4.
• SEBASTIAN (Male, Any Ethnicity) Topher’s Lord Chancellor. He actively shields the Prince from what is occurring in his kingdom and revels in maintaining his own power. Disregarding villagers in need he is primarily concerned with preserving the wealthy and the reach of his power. Fantastic comic timing essential. Traditional musical theatre character voice. Vocal range Tenor C3-F4.
• LORD PINKELTON (Male, Tenor, Any Ethnicity) Sebastian’s second-in- command and the herald for all balls and events. Announces royal balls, banquets and even the weather. Excellent comic timing is essential. Traditional musical theatre tenor. Vocal range Tenor D3-A4.
• ENSEMBLE (Male and Female, Any Ethnicity)  Includes Puppeteers, Footman, Coachman, Knights, Peasants, Serfs, Townspeople, Ladies and Gentlemen of the Court